That’s fair.
When you think about building stories from multiple audiences, not just audiences of color, but also queer audiences, disabled audiences, female audiences, I mean, we’re seeing so much evidence at the box office lately suggesting how difficult it is to construct a hit that isn’t a hit with BIPOC and female audiences. Unfortunately, we don’t have as much data on queer and disabled audiences from a box office perspective, but everything that I’m reading tells me that as those audiences become more vocal it is impossible to build a hit without them.
When we say we are trying to broaden the commercial appeal, it’s really trying to give you a lot of different entry points into different audiences from a more authentic point of view. So that when they see that character in the movie trailer, they feel as if real thought went into it as opposed to what feels like more…
