Hauntingly beautiful and deeply enigmatic, “Neptune Frost” has enjoyed perhaps the most coveted festival run of 2021. Blending science fiction, dance and allegorical elements, the striking Afrofuturist feature debuted at the 2021 Cannes Film Festival. It has since been invited to screen at some of the top showcases: Toronto, New York, London, Sundance, Rotterdam and Gothenburg — all venues where African cinema, especially experimental, formally ambitious work, remains relatively uncommon.
The opening scenes of this curious film hint at the poetic paths it intends to take. Past and future, dreams and realities, mourning and possibility, death and other dimensions comprise the terrain. And if you think that sounds vague or thrilling or frustrating, you’d be right on all counts. Directed by Saul Williams and his partner Anisia Uzeyman, this debut feature rebuffs the easy…