As Russia-Ukraine tensions rise, dominating international headlines, director Maria Ignatenko talks about the hell of war in her Rotterdam Film Festival title “Achrome.” But her oneiric film, lensed by Anton Gromov, is not exactly a comment on the current situation in Europe. “This particular topic is becoming more and more timely these days, but my film is poetry,” she says.
“It’s more related to the world of art and I would like to keep it that way, so I am not ready to make that connection just yet. However, when we were working, I realized that people might ask me about it. There is a sense of responsibility that comes with making a film like that, so I guess I will be slowly putting myself in the position of being able to answer their questions.”
Born in 1986, Ignatenko debuted with 2020’s “In Deep Sleep,” shown at the Berlinale’s Forum. While…
