A Glimpse of a Future Without White People

Whiteness is a seduction. Whiteness is also an illusion. These are the twin motifs on which Pakistani writer Mohsin Hamid props up The Last White Man, his new novel about race metamorphosis and human morality. Anchored in the bare and elegiac prose Hamid has made his trademark style, the book springboards from a single unexplained incident. Anders, a white man, awakens one morning to a new reality: his skin has “turned a deep and undeniable brown.”

The transformation, of which Anders’ is the first—but not the only, and certainly not the last—elicits worthy exploration. What if whiteness were suddenly gone? Would the social order of life come undone? Would anything change? Where Hamid lands doesn’t exactly persuade.

The sequence of events that follows plays into an ancient fear, that of The Other. (One’s need to estrange, Toni Morrison has said, is “a desperate attempt…