If the It Ends With Us drama has taught us anything, it’s that CoHorts
Photo: Sony Pictures/Everett Collection
This summer’s foul-mouthed, self-referential Deadpool & Wolverine, the latest overly self-aware Marvel movie and Disney’s blockbuster tentpole of the season, reigned for almost two weeks at the box office, amassing over a billion dollars in global ticket sales. The film toppled M. Night Shyamalan’s Trap, blew Twisters out of Imax, and the less said about Borderlands, the better. The threequel really had it good for a while — critics were satisfied enough, D23 liked it, a guy in front of me on line for Trap told his friend he had to see Deadpool & Wolverine because it’s “so stupid, it’s awesome” — until…
